© Copyright Robert Cole 1998 - No copying or distributing -Note: Missing graphics
The Eight DO
SANINDO - The Eight Roads of KOTO
TAJIMA HOJOJI   

Famous for making unsigned NAGINATA and NAGAMAKI. MOKUME with 
MASAME has O-HADA. GUNOME CHOJI-MIDARE mix, O-CHOJI BA and some 
CHOJI-TOGARI MIDARE. TSUBOMI-CHOJI"Flowerbud CHOJI" also called 
KIKU-MIDARE BA and CHABANA "Tea Flowers" CHOJI. 
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"The Three Students of SADAMUNE" SANTETSU         TANSHU YUKISADA
HOJOJI KUNIMITSU (SAGAMI) TEI-JI 1362                 EN-BUN 1356
    |_____________ _______________ ______________________ ______
____|____     ____|____        ___|_____             ____|_____ |
KUNIMITSU(2)  SADATSUGU        SHINISAKU O-EI 1394   MITSUTOSHI |
   _|_ - O-EI 1394 -   ___________|_____             O-EI 1394  |
____|____              TOHACHI SHIGESADA(2) BUN-AN              |
KUNIMITSU            _____________________ ____________ ________|
EI-SHO 1504      ___|___               ___|____     ___|___      
                 SADAOKI TEI-JI 1362   KUNIYASU     SADAAKI      
                    |_____________     TEI-JI 1362  KO-RYAKU 1379
                 ___|_____     ___|_____     
                 SHIGESADA(1)  SADATSUGU       ________ 
                     - O-EI 1394 -             NORIHIRO O-AN 1368
                                               ________          
                                               KUNINAGA O-EI 1394
          
___________________|____                         
HIRATA-TOHACHI SHIGEZANE EI-KYO 1429  O-EI 1394  
___________________|____                           ____________
HIRATA-TOHACHI SHIGESADA(2) BUN-AN 1444            UDA NAGANOBU
               ____|____                           KAN-SHO 1460
               SHIGESADA(3) MEI-O 1492
        ________________       
        HARIMA MUNESHIGE EI-SHO 1504

TAJIMA - HOJOJI KUNIMITSU
"The Three Students" SANTETSU
KUNIMITSU TEI-JI: ASAKO-GORI DAI SHO, HOJOJI JU. He is famous as
        one of SOSHU SADAMUNE's three students. 

           The SANTETSU:    KYO NOBUKUNI 
                          BIZEN MOTOSHIGE 
                         HOJOJI KUNIMITSU 

        Comparison of styles has allowed published doubts. There
        are many sacred-cows in sword scholarship, the "Three 
        Students" is one. Association of famous artists of 
        disparate style is suspicious, and there are many reasons
        for erroneous information. False appraisal to highly 
        placed gift-swords are a cause; but most of these legends
        were inherited from the endless fiction spun by EDO 
        writers who wrote popular fancy on any and every aspect 
        of Japanese history and lore. The "Ten Students of 
        MASAMUNE" is such.
        - As most have been cut down, signatures are usually 
        absent. O-SURIAGE MU-MEI NAGAMAKI and NAGINATA are most 
        encountered. These have most often been re-shaped for use
        as a sword. Re-shaping is expected and presents no affect
        on the value of such rare and coveted pieces. 
        - TACHI will be NAMBOKUCHO wide, with raised SHINOGI and
        O-KISSAKI. Shallow FUKURA. 
        - TANTO are usually altered as well. Expect wide and long
        HIRA-TSUKURI with MARU-MUNE or MITSU-MUNE. 
        - BO-HI, BO-HI SOE-BI or double HI stands below the 
        KISSAKI. TANTO show SU-KEN, GOMABASHI and BONJI. 
        - O-MOKUME where CHIKEI attends O-HADA, an old appraisal
        point. HOJOJI School is known for its large and fancy, 
        unique CHOJI pattern called CHABANA "Tea Flowers" CHOJI. 
        Its definer will be rounded, double-petal heads. Lines 
        appear as a flowery GUNOME-CHOJI mix in NIOI with KINSUJI
        and SUNAGASHI. While long swords show large and varied 
        CHOJI patterns, TANTO have simple KO-MIDARE BA. Patterns
        of SUGUHA or KO-MIDARE BA vary on ZAI-MEI TANTO. NIE 
        appears to breakup. NAKAGO in KURI-JIRI.
    MEI: HOJOJI KUNIMITSU
         HO-SHO JU KUNIMITSU
         TANSHU JU KUNIMITSU
         HO-GORI JU KUNIMITSU

KUNIMITSU(2) O-EI:HOJOJI JU. Most intense work period was prior 
        to O-EI. Many ZAI-MEI. TANTO and KO-WAKIZASHI of 9 SUN to
        1 SHAKU 2 or 3. HIRA-TSUKURI, IHORI-MUNE, MU-SORI. 
        Strongly running ITAME with JI-NIE. NOTARE-GUNOME HA in 
        KO-NIE shows SUNAGASHI and KINSUJI. MIDARE-BOSHI to 
        KO-MARU and long-falling KAERI. Block MEI in thick 
        strokes. Appears like Native-American hieroglyphs.
    MEI: TANSHU JU KUNIMITSU
         TANSHU JU HAITOSUKE KUNIMITSU SAKU 

TAJIMA HOJOJI
SADAOKI O-AN (t: KUNIMITSU): Used the AO, "Interior rice room"
        character, also used for OKU. SUGUHA and KO-MIDARE BA.
    MEI: TANSHU JU SADAOKI

MITSUTOSHIO-EI (t: KUNIMITSU):MOKUME HADA.KO-MIDARE and GUNOME 
        CHOJI-MIDARE BA.
    MEI: TANSHU HOJOJI MITSUTOSHI

SADATSUGU O-EI: TANSHU JU SADATSUGU

SHINI O-EI (t: KUNIMITSU)
    MEI: SHINI SAKU      

SHIGESADA(1) O-EI (t: SADAOKI, f: SHIGEZANE): SADAOKI may be the
        father. O-AN to O-EI style.
    MEI: TAJIMA HOJOJI SHIGESADA

SHIGESADA(2) BUN-AN (t: SHINISAKU, f: SHIGEZANE): HIRATA TOHACHI.
        KO-MIDARE KO-CHOJI BA.
    MEI: HIRATA SHIGESADA
         TANSHU JU SHIGESADA
         TANSHU HOJOJI SHIGESADA

SHIGESADA MEI-O: TOHACHI SHIGESADA.

SHIGEZANE EI-KYO: O-EI-style KO-MIDARE BA and KO-CHOJI BA.
     TANSHU JU SHIGEZANE
     TANSHU HOJOJI SHIGESADA

ETCHU NAGANOBU KAN-SHO: UDA School. MOKUME. KO-MIDARE in NOTARE. 
    MEI: UDA NAGANOBU

TANSHU NAGANOBU EI-SHO 1504
    MEI: TANSHU JU NAGANOBU

KUNIMITSU EI-SHO 1504
    MEI: KUNIMITSU SAKU OITE TANSHU TATARAGI

SHIGENORI TEN-MON 1532
    MEI: TANSHU JUNIN SHIGENORI

KUNIYOSHI TEN-SHO 1573
    MEI: HOJOJI KUNIYOSHI
         TANSHU HOJOJI KUNIYOSHI
         TANSHU JU HOJOJI KUNIYOSHI 
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