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KO-ETCHU School * KUNIMITSU arrives from YAMATO * The SOSHU KAMAKURA club splits apart for NAMBOKUCHO. SA and the SAIKAIDO to the south, ETCHU and the HOKURIKU to the north. These affiliations forged the MUROMACHI schools to the coming SENGOKU. KO-ETCHU was a brief period following the fading NORISHIGE School before O-EI 1394. Narrow, thick blades. KO-MOKUME with MASAME. GUNOME-MIDARE HA. _________ KUNIMITSU(1) KO-UDA Founder BUN-PO 1317 |________________________ _____________ ____________________ ____|____ ____|____ ____|____ | KUNIMITSU(2) KO-AN 1361 KUNISHIGE(1) KUNITSUGU(1) EN-BUN 1356 | ____|____ EN-BUN 1356 ____|____ | KUNIMITSU(3) O-EI 1394 KUNITSUGU(2) | ____|____ SHI-TOKU 1384 | KUNIMITSU(4) KYO-TOKU 1452 | ____|____ | KUNIMITSU(5) MEI-O 1492 | ___________________________________________________________| ____|___ SADAMUNE(1) KEM-MU 1334 |________________ ________________________ _________________ ____|___ ___|_____ ___|____ | SADAMUNE(2) O-EI MORIYOSHI EN-BUN 1356 TOMOYUKI KEM-MU 1334 | ____|___ ___|____ ___|____ | SADAMUNE(3) TOMOHISA(1) TEI-JI 1362 TOMOYUKI TEI-JI 1362 | HO-TOKU 1449 ___|_____ ___|_____ | TOMOTSUGU(1) EI-TOKU MORIYOSHI O-EI 1394 | ___|_____ 1381 ___|_____ | TOMOTSUGU(2) O-EI 1394 MORIYOSHI | ___|____ BUN-AN 1444 | ________ TOMOHISA(3) EI-KYO 1429 _________ | TOMOHIRO(1) TEI-JI _______ YOSHIHISA O-AN 1368 | ____|___ 1362 MITSUYO _______ | TOMOHIRO(2) O-EI 1394 EI-KYO 1429 HISAIYE SHI-TOKU 1384 | __________________________ __________________________ ______| ___|____ ____|____ ____|____ TOMONORI(1) KEM-MU 1334 TOMOMITSU(1) TEI-JI 1362 MITSUMUNE ___|____ ____|____ EI-TOKU 1381 TOMONORI(2) TEI-JI 1362 TOMOMITSU(2) _________ ___|____ O-EI 1394 TOMOSHIGE MEI-TOKU 1390 TOMONORI(3) EI-TOKU 1381 ________ |___________ ____________ TOMOYASU(1) O-EI 1394 ___|____ ___|____ ____|____ ___|____ TOMONORI(4) TOMOHISA(2) TOMOMOCHI TOMOYASU(2) BUN-MEI 1469 | - O-EI 1394 - ________ ___|____ HISATOMI EI-KYO 1429 TOMONORI(5) KYO-TOKU 1452 _________ ___|_____ TOMOYOSHI _________ _______ TOMOTSUGU(3) BUN-MEI 1469 CHO-ROKU 1457 TOMOSHIGE TOMOIYE |____________________ ______________ - MEI-O 1492 - ___|____ -brothers- ____|____ ____|____ TOMONORI YOSHINORI TOMOTSUGU(4) EI-SHO 1504 EI-SHO 1504 EN-TOKU 1489 ____|____ TOMOTSUGU(5) TEN-MON 1532 |
Main Players: __________________ KO-ETCHU KUNIMITSU(1) BUN-PO 1317 |________ ________ ____|___ ____|___ ____|____ TOMONORI TOMOYUKI MORIYOSHI KUNIMITSU BUN-PO: KO-NYUDO. Brought SENJUIN style from YAMATO UDA to found the KO-ETCHU UDA School. KUNIMITSU(2) - See following UDA School MEI: UDA KUNIMITSU Tokubetsu Juyo Uda Kunimitsu KUNITSUGU(1) EN-BUN (f: KO-NYUDO KUNIMITSU): 3rd son of KUNIMITSU. MEI: KUNITSUGU KUNITSUGU(2) SHI-TOKU: Worked to O-EI 1394. MEI: KUNITSUGU TOMONORI(1) KEM-MU (f: SADAMUNE): NORISHIGE line KAJI. MEI: TOMONORI TOMONORI(2) TEI-JI: Buddhist name: SAKON. NAMBOKUCHO makes its mark. TANTO in MOKUME with MASAME. KO-NIE KO-GUNOME HA. Went to KAGA later. MEI: SAKON TOMONORI TOMONORI(3) EI-TOKU (f: TOMONORI): Pieces from EI-TOKU 1381 to the O-EI. SUGU, KO-GUNOME and KO-MIDARE BA. Resembles FUJISHIMA work. Usually two character MEI. Signatures with "UDA" as a leader generally originate forward of O-EI. TOMONORI found in EI-KYO 1429, KYO-TOKU 1452, BUN-MEI 1469 and EI-SHO 1504. MEI: TOMONORI TOMOHISA O-EI (f: TOMONORI): Two character MEI: TOMOHISA. TOMOYUKI(1) KEM-MU (f: SADAMUNE): MOKUME with MASAME. SUGUHA and NOTARE-MIDARE HA. MEI: TOMOYUKI TOMOYUKI(2) TEI-JI: SUGUHA. MEI: TOMOYUKI |
MORIYOSHI(1) EN-BUN: KO-ETCHU differential to UDA. Worked from KEM-MU.MOKUME with MASAME. SUGU GUNOME-CHOJI BA. MEI: MORIYOSHI MORIYOSHI O-EI (f: TOMOYUKI): Last of KO-ETCHU Group into O-EI. BUN-AN smith follows, differentiate by style. MEI: MORIYOSHI TOMOHISA(1) TEI-JI (f: MORIYOSHI): There are few swords. GUNOME. MEI: TOMOHISA HISAIYE SHI-TOKU: Worked in O-EI 1394. GUNOME-MIDARE HA. MEI: HISAIYE UDA HISAIYE TOMOHIRO(1) TEI-JI: Worked to EI-WA 1375. MOKUME HADA with MASAME. SUGU KO-GUNOME HA. MEI: TOMOHIRO TOMOHIRO(2) O-EI (f: TOMOHIRO 1): Work period from MEI-TOKU 1390 to O-EI. Made narrow and thick, CHU-KISSAKI, FUNBARI TACHI. Pulled KO-MOKUME HADA with MASAME resembling AYASUGI HADA. NIE KO-GUNOME crowds TOGARI BA. UTSURI flashes on the YAKIDASHI. Two character MEI signed large above the ANA: TOMOHIRO. MEI: TOMOHIRO |
SANEMOTO O-EI (t: MASATOSHI): Worked at TONAMI-GORI. He was born in IWAMI and worked in NOTO making arrow-heads. MOKUME. SUGUHA and GUNOME HA. MEI: SEKISHU IZUHA JU SANEMOTO NOTO TAMESUZAKI JU SANEMOTO MITSUYO EI-KYO: TONAMI-GORI. IMAMURA JU. MOKUME with MASAME. SUGU KO-MIDARE in a NOTARE undulation. MEI: KAKIHA-GORI JU MITSUYO ETCHU IMAMURA JU MITSUYO ETCHU KAKIHA-GORI JU MITSUYO TOMOTSUGU(1) EI-TOKU (f: TOMOHISA, gr: MORIYOSHI): KO-ETCHU smith whose line falls from UDA KUNIMITSU. The MUROMACHI of O-EI BIZEN and KAGA FUJISHIMA Schools blend with KO-UDA to stitch his progeny to the fabric of new styles. MOKUME has CHIKEI and an even JI-NIE. Look for MASAME in the SHINOGI-JI. KO-NIE KO-GUNOME from KO-CHOJI has great clarity. KINSUJI alights in SUNAGASHI. HAKIKAKE BOSHI hides KO-MARU KAERI. His two character, round-stroked MEI is signed large below the ANA. MEI: TOMOTSUGU TOMOTSUGU(2) O-EI: TONAMI-GORI KAWASAKI Village. From O-EI 1394 to EI-KYO 1429. KAGA FUJISHIMA style. MEI: TOMOTSUGU TOMOTSUGU(3) BUN-MEI (t: TOMONORI): GUNOME-MIDARE with SUNAGASHI. Used UDA as a leader in his MEI. MEI: UDA TOMOTSUGU TOMOTSUGU(4) EI-SHO: TONAMI-GORI KAWASAKI-MURA JU. SUGUHA and GUNOME-MIDARE HA. Three character MEI. MEI: TOMOTSUGU SAKU TOMOTSUGU(5) TEN-MON: HIKOKURO. TONAMI-GORI at KAWASAKI-MURA. He worked from TEN-MON 1532 through EI-ROKU 1558. Running ITAME that stands. KO-NIE in clear NIOI make GUNOME and KO-MIDARE BA where SUNAGASHI is seen. MUROMACHI TOMOTSUGU: FUJISHIMA style was embraced in their work. MEI: TOMOTSUGU HIKOKURO SAKU TOMOTSUGU ETCHU-no-KUNI SURUGA JU TOMOTSUGU SAKU TOMOHISA(3) EI-KYO (f: KUNIFUSA, t: TOMOTSUGU): Work appears from HO-TOKU 1449. MEI: TOMOHISA TOMOIYE MEI-O: SUGUHA or GUNOME-MIDARE patterns. MEI: UDA TOMOIYE |
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