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HATAKEDA blades are similar to YOSHIOKA ICHIMONJI. Not particularly deep KOSHIZORI with narrow SHINOGI-JI and IKUBI KISSAKI. In fine KO-MOKUME or ITAME with O-HADA. JUKA and KAWAZU CHOJI-MIDARE with doubled, square-like CHOJI. SAKA-ASHI. TAMA and TSUYU NIE. Upper may seem somewhat vacant but blades do not have the OSAFUNE MONOUCHI. _________________ FUKUOKA MORICHIKA KEN-KYU 1190 to SHO-GEN 1207 |__________________ ______________________ ____|__ ____|____ ___________|___ ________ MORIIYE(1) SANETSUNE FUKUOKA MUNEIYE MORIYUKI | JO-EI 1232 TEM-PUKU 1233 KEN-RYAKU 1211 KEN-CHO 1249 |_____________________ _______________ _____________________ ____|__ ___|_____ ___|___ | MORIIYE(2) MITSUMORI MUNEIYE(1) KEN-CHO 1249 | | SHO-GEN 1259 EI-NIN 1293 ___|___ | | MUNEIYE(2) BUN-PO 1317 | |________ ____________________ _________ ___________ | ____|__ _|_______ ________|____ ___|____ ___|_____ | MORIIYE(3) MORISHIGE(1) Old MOTOSHIGE MOTOZANE MORITOSHI | EI-NIN 1293 | EI-NIN 1293 KA-GEN 1303 BUN-PO 1317 SHO-O 1288 | ________|___________________________ -brothers- | ____|____ _|_______ ___|____ | MOTOSHIGE MORISHIGE(2) SHO-KEI 1332 MORINAGA(1) KA-REKI 1326 | See School _|_______ ___|____ | MORISHIGE(3) O-AN 1368 MORINAGA(2) EN-BUN 1356 | _|_______ | MORISHIGE(4) O-EI 1394 | ________________ _______ ________ __________ ________________| __|____ ___|___ ___|____ ___|_____ ___|___ IYESUKE IYEHIDE TSUNEIYE MUNETSUNE IYEYASU TEM-PUKU 1233 | BUN-EI 1264 - SHO-O 1288 - ___|____ __|_____ SANEMORI KEN-CHO 1249 SANEMORI SHO-O 1288 |______________ ____________ __|______ ___|____ ___|_____ MORITSUNE MURAMORI MUNETSUNE KA-GEN 1303 SHO-O 1288 SHO-WA 1312 ________ ________________ MORIYUKI KEN-CHO 1249 HATAKEDA IYEMORI(1) GEN-TOKU 1329 ___|_____ __________|___ MORISHIGE SHO-O 1288 KOZORI IYEMORI(2) EN-BUN 1356 __________|___ KOZORI IYEMORI(3) SHI-TOKU 1384 MORICHIKA SHO-GEN: HATAKEDA Founding Father. ICHIMONJI MORICHIKA made ITAME HADA. ICHIMONJI style OBUSA GUNOME-CHOJI MIDARE BA. SANETSUNE TEM-PUKU (t: MORICHIKA, f: SANESADA): From NAOMUNE line smiths. Work to BUN-EI 1264. MORIYUKI KEN-CHO: CHOJI-MIDARE BA. MORIIYE(1) JO-EI (f: MORICHIKA): HATAKEDA Founder. Work to HO-JI 1247. Elongated KISSAKI on FUNBARI TACHI. Standing KO-ITAME with JI-NIE has strong MIDARE-UTSURI. KO-NIE and NIOI-DEKI CHOJI and KAWAZU CHOJI-MIDARE with ASHI, or GUNOME from CHOJI BA resembling the beauty of FUKUOKA. Famous for TOBI and TAMA. YAKIBA may be higher in the mid. Large MEI with thick strokes may seem cursive and stylized. Note: MORIIYE known for strongly standing HADA. Look for HA-HADA when placing JO-EI 1232 BIZENTO between MITSUTADA, KUNIMUNE and HATAKEDA MORIIYE Tokubetsu Juyo Moriiye |
| BUNKAZAI MORIIYE NAGASA: 2 SHAKU 3 SUN MOTO-HABA: 9.5 BU SORI: 5.5 BU SAKI-HABA: 7 BU NAKAGO: 5.9 SUN SHINOGI-TSUKURI, IHORI-MUNE, mid-KAMAKURA, wide TACHI SUGATA. The shallow curve and broad, powerful upper support its large IKUBI-style CHU-KISSAKI. Running ITAME HADA sees MIDARE-UTSURI condensing from the JI in steady cascades. The upper is a low flow of GUNOME and KO-CHOJI MIDARE interspersed with occasional juts, TAMA and lonely TOBI that whisper of missing KAWAZU. The YAKIBA rises in the mid as pointed peaks pull fat GUNOME into bent postures. Their ardent debate settles quickly to an energetic harmony of constant change: A bustling commerce of high standing OBUSA, KO-CHOJI and GUNOME squeeze and compete while subtle JI-BA tease at tops. The HABUCHI rides a CHU-width through the lower to find SUNAGASHI and KINSUJI searching the HABAKI-MOTO. BOSHI: A single invection creates two large and smooth GUNOME nodules in the wide MIDARE-BOSHI - which then takes an easy KO-MARU with very slight KAERI. SURIAGE KIRI-JIRI NAKAGO has four MEKUGI-ANA and his stylized, three-character MEI: MORIIYE TSUKURU |
MORIIYE(2) SHO-GEN: NAKATSUKASA NYUDO. HATAKEDA JU. Said to have been a student of MORITSUNE and moved to join the OSAFUNE group. His work continues to SHO-O 1288. Early work tunes to the time with OSAFUNE style KAWAZU CHOJI MIDARE BA, and with time turns to slightly undulating MIDARE patterns of GUNOME-CHOJI BA as was popular towards SHO-O - the beginning of late-KAMAKURA. Signature: Small two-characters or long. CAO possible. MEI: MORIIYE BIZEN-no-KUNI OSAFUNE JU MORIIYE TSUKURU BIZEN-no-KUNI OSAFUNE JUNIN MORIIYE TSUKURU BIZEN-no-KUNI OSAFUNE JU MORICHIKA MAGO MORIIYE (CAO) MORIIYE EI-NIN: Work from EI-NIN to BUN-PO 1317. JI-HADA stands. Beautiful NIOI-DEKI GUNOME, OBUSA CHOJI mixes are seen. Signature is small. MEI: MORIIYE MORIIYE TSUKURU BIZEN-no-KUNI OSAFUNE JU MORIIYE MITSUMORI EI-NIN (t: MORIIYE 1): Resembles MORIIYE's OBUSA CHOJI with KAWAZU. MIDARE KO-MARU BOSHI. MEI: MITSUMORI and MITSUMORI TSUKURU MORISHIGE(1) EI-NIN (f: MORIIYE 2, br: Old MOTOSHIGE): Son-in-law of NAGAMITSU. Father of MOTOSHIGE - see MOTOSHIGE School. OSAFUNE JU. Most work from KA-GEN 1303 through GEN-O 1319. Resembles SANENAGA. MOKUME. Undulating ASAKI-NOTARE KO-GUNOME HA with ASHI-IRI. Made a TANTO in the "Stooped shoulders" leaning GUNOME pattern. MEI: BISHU OSAFUNE MORISHIGE BISHU OSAFUNE JU MORISHIGE BIZEN-no-KUNI OSAFUNE JUNIN MORISHIGE MORISHIGE(2) SHO-KEI: Work to RYAKU-O 1338. MORISHIGE in O-AN 1368, O-EI 1394, KA-KICHI 1441 and O-NIN 1467. MORINAGA(1) KA-REKI (f: MORISHIGE 1): To SHO-HEI 1346. KO-MOKUME. KO-NIE KO-MIDARE BA and GUNOME-CHOJI BA, or undulating GUNOME HA with TOGARI. KINSUJI and SUNAGASHI. MEI: MORINAGA TSUKURU BISHU OSAFUNE JU MORINAGA BIZEN-no-KUNI OSAFUNE JU MORINAGA BIZEN-no-KUNI OSAFUNE JU MORINAGA SAKU MORINAGA(2) EN-BUN: GUNOME-CHOJI BA. MEI: MORINAGA TSUKURU BISHU OSAFUNE JU MORINAGA SAKU |
IYESUKE BUN-EI (f: MORIIYE): ITAME. GUNOME and KO-CHOJI MIDARE. SANEMORI SHO-O (t: MORIIYE, f: IYESUKE): YAJIRO. Born: RYAKU-NIN 1238. Work seen from BUN-EI 1264 to SHO-AN 1299. SAKONnoSUKE and UMAnoSUKE (left and right). His style resembles that of MORIIYE. NIOI is tightly defined. Early work: Dynamic O-CHOJI, KAWAZU mix typical of mid-KAMAKURA ICHIMONJI styles. Later work accrues a uniformity, look for even height and uniform feel to GUNOME-CHOJI MIDARE HA with KO-ASHI defining. Note: The marked addition of GUNOME figures, and a quieting from the pronounced ICHIMONJI CHOJI patterns popularized of KEN-CHO 1249 are a SHO-O 1288, and forward, cross provincial sign-post. GUNOME was the new national trend. SOSHU would soon blend it into their complex undulating patterns. His long signature is said to be earlier. See BUNKAZAI SANEMORI following MEI: BIZEN-no-KUNI JUNIN UMA-no-SUKE SANEMORI TSUKURU Later: SANEMORI TSUKURU MUNETSUNE SHO-O (f: SANEMORI): To SHO-AN 1299. Expect uniform GUNOME-CHOJI BA with KO-ASHI. MEI: BIZEN-no-KUNI JUNIN MUNETSUNE MUNETSUNE SHO-CHU (t: SANEMORI): From SHO-WA 1312. ITAME HADA. GUNOME-CHOJI BA. MEI: MUNETSUNE MORITSUNE KA-GEN (f: SANEMORI): ITAME HADA. SUGUHA, GUNOME-MIDARE with ASHI-IRI and KO-CHOJI BA. MEI: MORITSUNE |
| BUNKAZAI SANEMORI NAGASA: 2.5 SHAKU 5.2 SUN MOTO-HABA: 1.1 SUN SORI: 1 SUN SAKI-HABA: 7 BU NAKAGO: 6.7 SUN SHINOGI-TSUKURI, IHORI-MUNE, mid to late KAMAKURA transition period, KOSHIZORI TACHI. Full NIKU and wide upper hold a broad and round IKUBI CHU-KISSAKI. BO-HI falls from KO-SHINOGI into the NAKAGO. Its wide MOTO- HABA gives this broad blade a wide FUNBARI where MIDARE- UTSURI dances over ITAME HADA through the JI. Occasional TAMA and TOBI ride the shoulders of never repeating KO-CHOJI and KO-GUNOME in a tightly defined CHU-width below the MONOUCHI. A subtle JUKA tends the rising crowd in the mid. YO cuts dimples to blocks of CHOJI that stand and stumble, while KAWAZU clings in motionless groups. CHOJI becomes SAKA and a little slurred in the lower. The CHU-width MIDARE-KOMI BOSHI finds KO-MARU. A slight back-tilt below the HABAKI adjusts arc for this UBU, two MEKUGI-ANA, KURI-JIRI NAKAGO. Signed large with thin strokes above the original ANA: SANEMORI TSUKURU. |
TSUNEIYE SHO-O (f: MORIIYE): Founder of TSUNEIYE KOZORI Group. See KOZORI School. From the transition to SUE-KAMAKURA SUGATA. Elongated KISSAKI, KOSHIZORI TACHI. KO-MOKUME with JI-NIE and MIDARE-UTSURI. GUNOME through CHOJI- MIDARE BA. O-AN KOZORI TSUNEIYE is a descendant. See KOZORI School HATAKEDA MEI: BISHU OSAFUNE TSUNEIYE. IYEHIDE SHO-O (f: MORIIYE): KO-ITAME HADA. GUNOME HA and KO-CHOJI MIDARE BA. MEI: BIZEN-no-KUNI IYEHIDE MUNEIYE KA-TEI: Father of MORIIYE. KO-MIDARE of GUNOME-MIDARE HA. MUNEIYE BUN-PO: MOKUME. Even height GUNOME-CHOJI BA. IYEMORI(1) GEN-TOKU: KO-MIDARE BA with ASHI. 2nd to KOZORI. MEI: IYEMORI BISHU OSAFUNE JU IYEMORI _________ MORITOSHI SHO-O 1288 ___|____ MORISUKE(1) RYAKU-O 1338 ___|____ MORISUKE(2) TEI-JI 1362 ___|____ MORISUKE(3) EI-TOKU 1381 ___|____ MORISUKE(4) O-EI 1394 ___|____ MORISUKE(5) BUN-AN 1444 MORISUKE(1) RYAKU-O (f: MORITOSHI): From RYAKU-O 1338 to BUN-WA 1352. These are HATAKEDA descendants doing KOZORI style. MEI: BISHU OSAFUNE MORISUKE BISHU OSAFUNE JU MORISUKE MORISUKE(2) TEI-JI: EN-BUN 1356 to O-AN 1368. Resembles KANEMITSU KO-GUNOME style. Thick strokes. MEI: BISHU OSAFUNE JU MORISUKE ________ MORIKIYO GEN-KYO 1321 Starts a name and a line. His descendant works the O-EI, see OEI BIZEN. KO-MIDARE BA. MEI: MORIKIYO BIZEN HATAKEDA MORIKIYO |
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